at this point you should know that am/tm is anthony mansfield and tal m. klein. this is their eighth record together. you should probably also know that anthony mansfield has another side project with nick chacona called ncam. in other words, anthony is a collaboratively promiscuous producer who likes to make music with his friends. back to acid is am/tm?s attempt to get the world from uptight and twitching to firmly crooked and messy. coveting a return to the halcyon days of tripped out people melting on the dancefloor and raves in the woods, comes this hard hitting trip with vocals by navid izadi. add sweeping 303s and crunchy 808s.. and well, what more could you ask for in a track called back to acid? on the b-side is an extended ncam remix which ups the bpms and attitude. its a family affair.

solid white vinyl! winter in amsterdam ep is a homage to his amsterdam - turin connection, and consists of four banging techno tracks for the dancefloor! enjoy! supported by loco dice, stacey pullen, monika kruse, karotte, and many more

never not working, elef well deserved has become one of the closest watched talents in the deep house scene. born half greek / half supermodel the berlin based producer has dropped some remarkable releases on dirt crew, murmur and hypercolour. in an act of reciprocal affection elef and carry on joined forces to create the lovely nuff said ep, soon to be available on limited coloured vinyl. the ep kicks off with black hole featuring elefs signature melodramatic chord structure, some quirky percussion and a captivating motown vocal sample. the incredible gerd remix will end up in a lot of record cases, a dancefloor no brainer! on the flip nuff said incorporates an old school bassline with those beautiful emotional chords again. the ambitious uk trio zoo look strips it all back to what deep house really is nowadays, a groovy squarebass and atmospheric pads.

amazing! perlon likewise techhouse with mental afterhour grooves will make you loose your mind with the first ray of sun. toby deschamps aka jackbox delivers this debut ep for the brand new label no one cares. the first track be true lures you deep into the metaphysics of house music. larry is a shuffling monster sitting right next to your solarplexus, humming melodies of an endless summer. you definitely should check this out. the third track nobody cares is that subtle afterhour groove which carries you away. its that early morning track that puts a smile on your face if the sun throws her first rays of light on the dancefloor.

with a shuffle, a wink and a swing of the hips, original cuts returns to wax with a quartet of tried-and-tested dancefloor bumpers from label head honcho deadly sins.
as usual, deadly sins has provided us with a four-pack of hypnotic, filter-heavy disco cuts that slither their way across the dancefloor with all the sinewy charm of an eager python on heat. taken inspiration from forgotten disco gems and simmering secret soul jams, original cuts 03 bumps, grinds, struts and jigs from start to finish.

steve bug drops a new outstanding 12inch on his own highly prolific poker flat recordings. those grooves is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. those grooves, the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. mid way through its 10 minutes, bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. the flip side is no less dramatic – tell me why creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. a true peak time burner with enough energy and tension to smash any floor.

after the successful release of the expert escapist 12inch on diametric. in late 2010 and the inclusion of the track nanomal on last years music man mix cd by marcel dettmann, our purveyor of straight no nonsense techno mr. kevin m. kennedy returns with four new slices of dancefloor techno. if you like your techno edgy and direct in your face, this is the record for you. hailing from columbus, ohio, usa, kevin has already released on shake’s frictional label and on the detroit based xplor label (as sleep engineer) and others, and is a very welcome part of the diametric. family now. 300 handnumbered limited vinyl copies only. no digital distribution.

full colour art and comes with a download code! dancefloor ready two track 12inch from krystal klear on all city! second time out on all city for krystal klear following on from his recent excursion on eglo, he ups the pace on this one giving us a two track 12 with a french house feel. the a side >were wrong< is a piano led house explosion with chopped vocals and hypnotic boogie grooves. combining with the flipside from the start - an infectious filter house slow builder – to make this the most dancefloor friendly record weve released. dj / press: capracara (dfa/soul jazz): love those old school house vibes!

phonon 06 is out! bassline electro techno. dancefloor. a shakler, a booster a master-piece!

this monterous techno anthem is oscillating between n.cuer usual minimal style and physical records fearsome atmosphear, develloping with a huge leads and squeaky sounds, undoubtinglys been prepared to set fire on the floor. as for b side, we get two remixes made by the label co-owners and main artist mik zif and midwooder. the first is drilling deeper into darkness with a proper physical techno rave style rmx. when the second is digging deeper into minimal techno, bringing the original tunes a bit more of deepness, while still keeping it ultra dancefloor efficient. definitely about to make a lot of noise in the techno scene this year and further, overload destruction and its remixes appears to be unmissable titles for any minimal and techno sets!

grey series, an offshot of the already well established m_rec ltd., aims at celebrating the reclusiveness of techno, its core ideas, its attitudes and its most recent mutations. traditions that while remaining, have allowed todays artists to conceive uncompromising and exciting sounds. its first release sees juho kahilainen explore dark and glacial territories. epilogue is the end of the darkest set, with its sinister piano moving slowly on a set of digital sounds meant to shut off any source of light.we heard it coming enhances stripped down techno with echoes of what seems to be field recordings from an unexplored locations.rotko dims the light down with its flirty, crepuscular details. acid and irresistible, its a trip that carries you on and on.the less we try takes a dramatic turn, where a beat that pays tribute to acid sounds encounter a martial soundwave and its tense and dooming melody. grey series is dedicated to everyone who lives techno today, who recognizes that theres a whole array of possibilities to explore, away from whatever the dancefloor requires.

all three tracks are 100% peak time and dancefloor oriented sound. definitely a well done debut by raphael dincsoy & robin hirte.

hauschkas first releases of 2012 come in the form of two stunning remix 12 inches that are pitched at the dancefloor and kick off a wider project of reinterpretations of his last full-length. here, ep1 sees two serious heavyweights of minimal techno delivering very different, yet complentary versions. this 12 inch is the first of two vinyl-only eps, running in advance of a full album of electronically-angled remixes of >salon des amateurs<.

we are proud to release the second ep from the new fluxion album on echocord. this work is about his travels in music. the sounds, influences and aesthetic of his actual travels, expectation-journey-destination, alongside the music influences deriving from them. through his prism those sounds, pictures, travels, emotions left traces of new directions, of future journeys to take. fluxion captured the motion in his travels with a different feeling each time. >eruption< is maybe the most powerfull deep dubby track from the traces album, perfect for the dancefloor. >motion 3< and >motion 2< are beautifull floating dubby tracks. finally morphosis did a remix of >eruption<, pure killer madness for the dancefloor. after a decade in the field of dub, techno, ambient, fluxion opens the horizon with music that cannot fall under one specific territory.

feedbacks and supports by luciano, exercise one, dj t, mark knight, show b, roberto rodriguez, alex maier...sister label of mood music, from sasse & sandrino!
... and the beat goes on. after the first two deep cuts on wrm we offer you this little peaktime gem. frankey from d-nox & beckers fame got together with sandrino to build this dancefloor house cut. for remixes we are really happy and proud to have the one and only phonique.
he turns the original into a bigger festivalsummerdancefloorrave anthem without loosing the original feeling. the second remix by daniel rajkovic goes more into depth with a monster hypnotic bassline. and as we already said, words are all in vain, so have a listen and satisfy yourself … cheers from the rabbit hole ,)

little is known about the norwegian bunny & bear duo known simply as the glue. their last appearance with us came courtesy of kolour ltd and we knew right then that these boys were in-store for their own ep with us and we are pleased to announce that it has finally come to fruition.
remix duties see the return of the incomparable dead rose music company to the kolour fray. he takes the title track and rubs it into a chunky piece of dancefloor business that has without a doubt turned into one of our favorite remixes to date.
we here at the kolour recordings family of labels cannot express just how much we appreciate your continued support. for all the gig spins, various chart support, podcast plays, and reviews .. from the bottom of our hearts .. we thank you very much.

next vinyl only release on exploration! the cosmic key is a experimental journey for the dancefloor, funky guitar licks, a raw dirty bassline, combined with classic 909 sound. unlocked is one of these emotional detroit rooted compositions, ending in a beautiful stringful finale. proton decay with its killer drums and hypnotic grooves is a recommended sonic weapon for the intergalactic djs out there!

next vinyl only release on exploration! ltd clear vinyl edition... the cosmic key is a experimental journey for the dancefloor, funky guitar licks, a raw dirty bassline, combined with classic 909 sound. unlocked is one of these emotional detroit rooted compositions, ending in a beautiful stringful finale. proton decay with its killer drums and hypnotic grooves is a recommended sonic weapon for the intergalactic djs out there!

as one half of the iconic house music duo h foundation and a revered producer and dj in his own right, halo needs no introduction. his surface imprint promises to deliver deep electronic music that retains a classic feel and its maiden release is just that. marascos >cloudy< is heavy set house music with an irresistible hypnotic quality. a rock steady bottom end drives the drum track as percussive elements and tribalesque vocals drop in and out of the mix. highly functional dancefloor material. on remix duties the legendary dj sneak adds his trademark infectious energy to proceedings, inserting a funky basssline and jackin percussion to great effect. halos surface remix showcases his production prowess with heavy processing on the vocals and percussion resulting in an organic rolling tech house work-out. rounding off the ep danilo vigorito provides a brooding tech house take on >cloudy< that will cater for the more discerning floors. surface begins as it means to go on.

played and supported by luke slater, dvs1, laurent garnier, adam x, marcel fengler, samuli kemppi, inigo kennedy, jeroen search, truncate and more. asr is a record label with a strong inspiration in cosmology, physics and science fiction. with one foot in detroit and one in birmingham, asr is getting the techno in its original form beyond fads. we are believers in the true conception of electronic music as artistic expression and as message. our first release is also the first volume of the series vla, named in honor of the radio telescopes system in the very large array of new mexico (usa). radio transmission true to the sound of detroit and influenced by idm and the birmingham scene, radio trasmission presents a crude and analog sound, sometimes simple and sometimes twisted, synthesizing unconventional elements of the dancefloor with complex sounds and structures. the first track,grote reber, works around the omnipresent tr909 and the classic dx100 solid bass sound, building a powerful and effective track. in interferometry, a heavy and deep sub bass, leads the track around dub and post industrial ways. cyg x-1, is the only track that isnt 4x4, with noisy and punchy stabs all around, this works perfectly late in the night and in more uncommon sessions. the last track,vla is more melodic and relaxed. it is the perfect end for the whole record.

walking a strange line between the asylum and the dancefloor, welcome bob chance. yes, this is an album like no other. but then again bob chance isnt like anyone else. put together in 1980, >it s broken< represents bobs creative juices flowing and then possibly overflowing all over the place.

5 years be chosen , with 2 tracks from reboot & robert dietz

modal analysis is a new label born in athens, greece and devoted to experimental and conceptual techno. the first ma release plate belongs to cassegrain, the berlin/thessaloniki based duo with recent vinyls for prologue and m_rec.the two tracks, plate vol.1 and plate vol.2, designed for long trips on the dancefloor. coming from berlins legendary raster-noton label, kangding ray completes the debut with a suspenseful remix of plate vol.2.

after the explosive statement of intent that was their debut 7inch >speeddance<, reptile youth are back with a vengeance – and this time their laser intensity is aimed fi rmly at the club. the danish duo drop >black swan born white remixes< featuring three sublime cuts of hypnotic house - their second single taken from their upcoming album release on hfn music. experienced house-meisters terranova bring the late night underground vibe to the original – providing two stunning mixes. the >terranova remix< submerges mads damsgaard kristiansens evocative voice into a narcotic groove, teasing out the new wave vocal infl uences and steadily building the tension into a dancefloor burner.

with >real face<, we are already giving you the second release of rico henschel aka sweet n candy on our deep circus label. the berlin resident by choice presents his newest work with the title song >real face< and >movement< - two deep, groovy summer tracks, completed with spherical elements that make this sound perfect for the upcoming open air season.
the french producer fred siera adds a remix of >real face<, which is a real bomb! the clearly defined bass sounds will have a mighty push on any dancefloor, still the remix feels really smooth because of the rest of the arrangement, making this track overall even more enjoyable. let the summer begin!

we are very proud and honered to release this ep by function aka dave sumner from sandwell district. one of technos true underground heroes, function (dave sumner) has been djing and making music for over 15 years. hailing from new york, he was seduced by techno music when jeff mills held a residency (as well as his own first) at the limelight in the early 90s. dave started to produce music and from the mid-90s onwards, put out music on damon wilds synewave and his own infrastructure imprint. together with regis (karl o connor) he worked as portion reform, putting out uncompromising music on downwards and becoming the only non-birmingham producer to release on the label. in 2008 dave moved to berlin, still working with regis, and now silent servant (john mendez), put his focus on the acclaimed sandwell district imprint. obsessed is a supper powerfull floating track for the dancefloor, a typical function production. this ep also contains remixes from substance and scb aka scuba, both peak-time tracks.

he is back: snook later, the man who gave us the jazz-ravy madness of the first nice try records release, returns on the zurich-based label. it seems logical then – but only wickedly so - that zurich producer dadaglobal takes up snooks inaugural cue with an irrestible remix of a dancefloor shaker. grooves that let not only your limbs shake but also your spine tingle.
code for free mp3-download of this ep included.

limited reissue of a very rare and highly in-demand 1986 12 inch from indian ocean, alias of late great disco legend and sleeping bag founder arthur russell. although russells original version on side a is fantastic in itself, the stunning abstract walter gibbons mix on side b is where its all at. with irrepressible madcap gibbons at the helm, the track mutates into a strangely subversive dancefloor odyssey way ahead of its time which still sounds futuristic today. with a raw sparse experimental sound, this progressive sonic journey rolls along for over 10 minutes pulsating with a jazz-influenced interplay of funk-heavy bongos, stabbing synths, off-the-wall vocals and russells trademark cello. one of the great moments to come out of the vibrant art/disco not disco crossover scene of 80s new york - dont miss your chance to bag a vinyl copy of this obscure gem.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco no.13, ruff n stuff, can hardly be contained on a single plate of wax. all four tracks have been tested and audience approved! on the a, deep&discos rework of i wanna dance with somebody and alkalinos ruff n stuff are both stripped back and bass laden grooves. the b has two mid-tempo grooves from newcomer, debonair and portuguese duo, johnwaynes.

oops he did it again! after the chartbreaking succes on the munich love stories ep andrea di rocco again delivers again with >the past present< a smashing dancefloor killer. the a-side is represented by giacomo greppi & ocus >onillel< with a drummy, driving house bomb.

astonishing album by mark du mosch, who delivers his first full length album on syncom data records and it s quite simply overwhelming. in a true detroit fashion mark du mosch rides that fine line between techno, house and disco. that line which guides you to the dancefloor as well as a higher musical and emotional level. with salmiak mark du mosch shows he s not only a great dj, but one of hollands finest producers as well. absolute techno house killer bomb. don t sleep on it.

elevation limited returns with a set of remixes of zoe xenias 2011 elevation hit >i know you can<. zoe stands out among the glut of house music producers due to the fact that she is a songstress as well as an accomplished producer on labels like suara and d julzs bass culture imprint, connaisseur, microzoo and plastic city. the sultry vocals of >i know you can< get the rework treatment from darran nugent and pavel lenchenko (mood music) and werner niedermeier (off, compost, kling klong and safari numerique). zoe also reworks it on her love shack rendition and strips it down into a pure dancefloor groover. coverart by: emiliocaccaman (ita)

a freshly minted london label, clueplants mission is to push twisted, imaginative techno with a raw analogue energy and a futuristic approach to sound design.the first release showcases a balance of two distinctly individual and intoxicating tunes which have seen enthusiastic reception on the dancefloor and radio while doing the rounds as dubplates. the a side hosts a powerful chunk of modern techno energetically played live and is the first release from london producer 12&bit, a perverse hardware purist whose vinyl and live sets have thumped out at teknivals aross europe and seen over 2 million downloads of his played-live techno through the open-source audio globular music library. on the b side the perversity is taken a step further by the infamous bulgarian electro deviant, manasyt. following 11 years of quality vinyl output on prolific labels such as kommando 6, touchin bass and bunker, the balaclava-clad nomad manasyt has set up his studio in the techno capitals of the world, berlin, london and detroit, and is now in china pumping out his trademark brutal and forward-thinking industrial techno for clueplant

shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

casbah73 is back with this wicked eccentric house 12 inch. >i m feeling lucky< is a deep and intense detroit-influenced vocal house jam. a take on the classic muzic box spirit, this one s got that anthemic feel about it and has classic written all over it. over on the flip side >i am the main bitch< keeps the party going. it is a polyrhythmic groovy house number that hits all the right keys to move the dancefloor. also included is a remix of this track, aptly named >in the middle east<, which adds an erm ... middle eastern flavour to the whole thing: a bit psychedelic, yet effective. all that, on a very limited 12 inch with screen-printed artwork and download coupon. with amazing artwork by graphic genius pepe medina.

after massive support from djs like loco dice, marco carola, etc. and several releases on labels like monique musique, viva music, takt records and great stuff we are proud to present you one of the nicest slovenian youngsters on kd music! f.sonik delivers 2 outstanding tech-house tracks, filled with great percussion loops, catchy vocal snippets and rolling basslines! both tracks are fully oriented to the dancefloor! and already hammered by nicole moudaber. the forest people remix on the flipside of is made by the label owners themselves - no more words necessary!

following last years triumphant debut on untolds imprint hemlock, brighton based producer guy andrews is back with his first 12 inch for hotflush recordings. a superb followup to his 2011 auditory missive, the wait / hands in mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts. shuffling and persistent, side a is bass-driven track filled with arpeggiated goodness, while on the flip, andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune. with recent acclaim from xlr8r, resident advisor and truants along with dj and radio support from the likes of benji b, l-vis 1990, brackles, sound pellegrino, shortstuff, benjamin damage and throwing snow, guy andrews is on the rise. lookout for another 12 inch via hotflush this fall.

what is techno is the first single to be taken from techlegend in the makin florian meindls long awaited debut album waves (1-12)inch, due for release soon on his very own flash recordings. what is it techno? what is house? good question and its the doubt that drives you on the dancefloor. florians original is perfectly crafted deep groovy tech. a delicate melody belies the raw power, generated here by the growling bass and drum line. ramping up the filth factor and still riding high from the release of their second city ep are boys noizes, shadow dancer. matching detroit synths with sinister bubbling acid the manchester duo create a beast of a mix that also displays an equal amount of beauty.

moan is ready to rock the floor with this amazing ep signed with the duo larry peters and miguel lobo.original tracks with nice and melodic perc groove and amazing vocal shot, great to be played in every moment! re-up duo on their reshape keep the funky mood of the voice adding a concrete and rolling rhythm, a dancefloor killer tune!the second remix is by the famous jordan peak, with a solid, locked in groove and plenty of well-defined, silvery tech house percussions.

thinking too much/where the helios is juk juks second release on nommos. thinking too much is the most direct juk juk release so far. its peak time fare, aimed squarely at the dancefloor. the dreamy intro will fool the unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass. where the helios is the real dream side. a floating, hallucinogenic, spaced out drift, driven by a crisp, pared back rhythm and a gorgeous, woozy vocal- led melody. juk juks first release for nommos was unwrap/fall and before that his debut, winter turn spring/frozen, was put out by kieran (four tet) hebden on his highly regarded text label. all juk juks output to date has been critically acclaimed, coverage including fact magazine, pitchfork, mix mag, abeano, the fader amongst others. his releases have also received significant club and radio plays including mainstream radio 1 support from admirers giles peterson and rob da bank, who has promised support for this release. four tet said the room went off when playing thinking too much at a recent event.

fresh out of melbournes reputed house scene, the tortoise is one of the hottest talents to emerge from the current wave of house breaking down under. a side the puffing tortoise captures the 21-year-olds precocious talent and aims it squarely at the peak time. working his trademark airy vocals around a familiar disco refrain and bubbling bass, he works the track into a sweaty climax and skilfully keeps it there throughout the midsection. turning in a late night chugger on their remix, berlin based canadians the mole and hreno ride an insistent pulse and insect like percussion. twisting the samples, they guide the track into a dark jungle of chattering sounds to temper the tortoise youthful exuberance. the analogue melancholy of keep on keepin on is all in the sweeping synths and twinkling effects. recoiling the tension, the chicago influenced track seeps through the speakers and will sound as good at home as it will during specially chosen dancefloor moments. rondenion approaches the title track with fearless disregard for the original, combining the swelling tortoise sound with something entirely his own. his addition of a funk fuelled midsection, really breaks the track down and adds another slice of character to an ep already brimming with it.

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

keeping up their ethos of dancefloor >edits with the love left in< hmd bounce back on a1 with monster from their 3rd compilation. never before released as a 12 inch and much in demand from djs who have heard it in hmd sets, its a whole horse meat disco original track laid out underneath the original vocal acapella. playable peak time or at the end of the night its as deep as disco gets! on b1 a majestic and imperial take on a classic one more time the hmders push the way too short original track and lengthen it into a luscious, euphoric anthem. hmd take all responsibility for end of the night spontaneous dancefloor hug-ins. on b2 the boys have taken the squelchy synths of a real underground track and turned up the intensity that they felt seem to disapated in the original. keeping the vocals pretty much as they are including all the whoops and yelps that make the track so exciting hmd have stayed true to the original but have just given it the horse meat touch. a bit of added percusion and a whole lotta love.

after the successfully aras startup from the label owners andre galluzzi and dana ruh we are now presenting a hot follow-up from our friend, well known hessian johannes heil. the a side consciousness is a massive 12 minute dancefloor killer starting with a nice synth loop and some heavy kicks. after nearly a half the track turns from a warm hypnotic break into a real peaktime monster. b side track pure starts a little bit deeper with sounds that let us yearn for the sun. a very nice package for the summer.

ilario alicante might well be best known for his previous releases on big room labels cocoon and cecille but preconceptions can be misleading. here on sudden drop we plough a deeper furrow, not ones for hands up in the air shenanigans we prefer to get our heads down on the dancefloor for some serious introspection, which is why this 3 tracker from the italian born ilario finds its way onto our label. echotechno is indeed a main room slice of stomping techno but with that oh so important moody vibe that we crave here at sd,rouge dub on the flip delves deeper with an exceedingly trippy soundscape whilst untitled drop rounds things off with a spritely techno groove.

sun is shining, people smiling! just in time for the spring/summer stranjjur delivers a nice sweet sampler made for open airs. maya jane coles, nic fanciulli, sasha, droog, m a n i k and my favorite robot already supporting. nycs stranjjur imprint serves up an eclectic, assorted variety of dancefloor candy from its forthcoming mix compilation, featuring some of the hottest artists around at the moment. whether it be the melodic and climatic >visions< from lula circus, or the party rockin >so fine< from hot creations and no.19 artist miguel puente, the a-side is sure to rock the party proper. the b-side aims toward the tougher dancefloors, as bass cultures john dimas drops the acid-tinged dancefloor bomb, >dont stress me<, and the release is capped off by the deep and chugging >down from earth< from cosmic cowboys.early support coming from maya jane coles, sasha, nic fanciulli, manik, dave seaman, and more.

rising parisian producer yakines career pretty much defines the word eclectic — in his teens, he was a bona fide metalhead, playing guitar in a metal band that toured all over europe, before his love of hip hop steered him in the direction of the dancefloor. he really found his home behind the decks, however, and once he discovered the world of electronic music via the patronage of his brother—who introduced him to the sounds of underground deep house and techno — yakine quickly moved into production. he has since released a series of eps on european labels like esperanza and jetaime records. the rise ep is his first release for spectral sound, a four-track slab of understated, atmospheric techno.

chez damiers balance recordings brings this 4 track ep from shaka to the imprint & starts with a jazzy back to basic mix of the title cut. kool aid follows in deep dancefloor fashion. laying in my bed (rework mix) on the flip is a perfect dub & just dancing (a synthella mix) ends smoothly.